JARED TRASKARTIST · DESIGNER · EDUCATOR
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Shemer Art Center

Making the arts easier to discover—and take home

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Mobile-app screen presentation — Shemer Art Center
Mobile-app screen presentation

The project

An interconnected set of print, editorial, web and mobile communications for Shemer Art Center’s exhibitions, classes, events and community programs.

My role
Marketing Manager and designer
Scope of work
  • Event print campaigns
  • Exhibition and class graphics
  • Family activity booklet layout
  • Email newsletter layout
  • Mobile-app visual assets
  • Membership materials

The context

A changing arts calendar needed consistent communication across very different formats: event invitations, exhibition announcements, class discovery, newsletters and family activities.

Design approach

The center’s warm earth tones and clear category labels anchor the everyday program materials. Event campaigns introduce their own visual character while preserving the Shemer identity and a legible hierarchy of dates and actions. The family activity booklet extends the same communication work into a take-home publication, giving the participating artists’ drawings space to lead.

Exhibition artwork and coloring-book drawings are by credited participating artists. This case presents communication design, layout and production; it does not claim those artworks, the institution’s logo, or sole app development.

01 / Project details

Program communication

02 / Project details

Furry Friends campaign

A postcard and full-page advertisement adapt the same event identity to different points of contact. Featured artwork remains credited to its artist.

03 / Project details

Family activity publication

Publication layout and production for a take-home activity book. The building drawing is by Shemer artist and instructor John Erwin.

04 / Project details

Digital program graphics

05 / Project details

Connecting the program

Selected work from my design archive. Campaign dates, offers, and contact details pictured in the original materials are historical. Photography and client identities remain credited to their respective creators; my contribution is described above.

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